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Wednesday, 25 March 2020

Hazrat Madhu Lal Hussain R.A

Hazrat Madhu Lal Hussain R.A

Biography
Shah Husayan (1538-1599) is commonly known as Madhu Lal Hussain, the story being that he adopted his Hindu friend Madhu Lal's name to immortalise their friendship. He was around during the time of the Mughal emperors Akbar and Jehangir. Though of a poor family, Hussain was highly educated.
His poetry is full of symbolism. Some of his most famous kafis feature the Charkha, as in those days foreign merchants used to sell cotton to Lahore, which the poor later weaved into cloth.
Hadrat Shah Lal Husayn of Lahore, a disciple of Bahlul Shah Daryai. His mother was a Rajput woman of the Dhadha tribe, and his paternal ancestors were known as Kalsarai. Thus Lal Husayn's own name was originally Dhadha Husayn Kalsarai. 
The first of his ancestors to accept Islam was a man named, Kalsarai who became a Muslim during the reign of Firoz Shah Tughlag, and was appointed by him to be Shaykhul-Islam. The family name, Kalsarai, dates from that time. 
Lal Husayn showed, even as a child, a marked preference for clothes of saffron and red colour, hence the epithet Lal added to his name. Very early in life it became clear that he possessed a religious disposition, and while still only ten years' old he was initiated into the Qadiri Order by Bahlul Shah Daryai.
For twenty-six years he strictly followed the rites and practices of Islam, and led a life of real austerity. But on reaching the age of thirty-six, it is said that while studying a commentary on the Quran under a certain Shaykh Sa 'du'llah in Lahore, he came one day to the verse; "The life of this world is nothing but a game and sport." (vi. 32).
He asked his master to explain this to him, but when the usual meaning was given he refused to accept it, saying that the words must taken literally, and that henceforth he himself would pass his life in sport and dancing. This incident proves to be a turning point in his career and from that time he sought to express in life the extraordinary views he held.
In consequence he abruptly left the madras and went about shouting and dancing in public. He never returned to his student life and religious practices. One of his first acts on leaving his studies was to throw his book. Maddrik, a commentary on the Quran, into a well. His fellow-students, grieved at the loss of so valuable a work began to chide him, whereupon he turned and addressed the well as follows: ""O water, return my book, for my friends are anxious to have it;" on saying this he drew it out unsoiled.
He now gave himself up to the life of a libertine and spent so much of his time in drinking, dancing and music that he became, in the language of the Sufi malamati, blameworthy. It is said that his pir Bahlul Shah Daryai. hearing of the change in his disciple came to see him and, strange to relate, in spite of the freedom from restraint which he himself witnessed in Husayn's manner of life he expressed himself satisfisfied with the hidden sanctity of his disciple, and thereupon confirmed him in his position as his vicegerent in` Lahore.
Hassu Teli, famous as the saint of oilmen, was a contemporary of Lal Husayn. He kept a shop at Chawk Jhhanda near the Mori gate. At first he used to sell corn but later at the direction of his Pir, Shah Jamal ((whose tomb is in Ichhra) he started selling oil.
Lal Husayn, who was in the habit of visiting the tomb of Data Ganj Bakhsh, would stop on his way at the shop and spend some time in dancing and shouting. One day Hassu Teli teasing him said, O, Husayn, why this dancing and shouting? You have no cause for such ecstasy, for I have never seen you in the court of the Prophet." But on the following day, when Muhamad held his court in the spirit world, 
with all the prophets and saints in attendance including Hassu Tell as one of the representatives of the living saints on earth, a child appeared who first went to the lap of the Prophet, and was then passed from one to the other, finally coming to Hassu Teli. While playing on the latter's knee he plucked out some hairs from his beard. 
When next Husayn stopped at the oilman's shop Hassu repeated his taunt that the man was not worthy of being admitted into the Prophet's court. For reply Lal Uusayn quietly produced the hairs which he had plucked from Hussu's beard! The oilman was at first thrown into great consternation, but recovering his equilibrium retorted after a moment's silence: "So it was you, was it ? Ah well, it was as a child that you got the better of me!"
Lal Husayn's name is popularly associated with that of another person called Madhu, and in fact, the two are so constantly thought of together that the saint commonly goes by the name of Madhu Lal Husayn as though the master and this disciple of his were one person. Madhu was a young Hindu boy, a Brahmin by caste, to whom Lal Husayn was, one day, 
irresistibly attracted as he saw him pass by. So strong indeed was the fascination he felt for the boy, that he would rise in the middle of the night and, going to his house, would walk round it. In time Madhu himself felt the attraction of Lal Husayn and, 
coming under the spell of his fervent love, began to frequent his house, and even joined him in drinking wine. Such intimate connection between a Hindu boy and a Muslim faqir of questionable character very soon become the talk of the place. Madhu's parents feeling it to be a disgrace to their family tried their utmost to dissuade the boy from going to Lal Husayn, but in vain.
So far Madhu, though the bosom friend of Lal Husayn, had not yet renounced Hinduism. It was, we a told, a miracle wrought by LAl Husayn that finally led him and his parents to the conviction of the truth of Islam. The story goes that once when Madhu's parents were going to Hardwar to perform the bathing ceremony they desired to take their son with them.
Lal Husayn however, would not let him go, though he promised to send him later. When the parents had reached Hardwar Lal Husayn made Madhu shut his eyes and then, after striking his feet upon the ground, to open them again , 
Madhu did as he was told and was greatly astonished on looking round to find himself in Hardwar! His surprise was shared by his parents, who marveled at his arrival from such a distance within so short a space of time. Impressed by this miracle, Madhu and his parents on their return to Lahore accepted Islam at the hands of Lal Husayn.
The latter died in 1599 A. D. at the age of 63 and Madhu who survived him for forty-eight years was buried in a tomb next to that of his pir, in Baghanpura, in Lahore. The shrine containing their tombs continues even to this day to attract dense crowds of people of classes. The urs used formerly to be celebrated on 22nd Jamdi 'th-thani, i. e. 
the anniversary of Lal Husayn's death; but later, in order to avoid any inconvenience through the date for the celebration falling in the heat of summer, it was agreed to make the festival coincide with the advent of spring so now the 14th Baisakh and the last Sunday in March are the recognized dates for its celebration.
Lal Husayn had sixteen Khalifas, four of them were called Khaki, four Gharib, four Diwan, and four Bilawal. After his death four of them, viz. Khaki Shdh, Shdh Gharib, Diwan Madhu, and Shah Bilawal took up their abode at his shrine, and were eventually buried within its precincts.



Kafian Shah Hussain in Gurmukhi

Aage Nain Doonghi
Aakhir Da Dam Bujh Ve Aria
Aakhir Pachhotanvengi Kurie
Aakh Ni Mae Aakh Ni
Aao Kure Ral Jhumar Pao Ni
Aap Nu Pachhan Bande
Aashiq Hovain Taan Ishq Kamavain
Ahnis Vas Rahi Dil Mere
Amlan De Upar Hog Nibera
Ani Jinde Maindarie
Ani Saeeo Ni Main Katdi Katdi Huti
Asan Bahur Na Dunian Aavna
Asan Kitkoon Sheikh Sadavana
Asan Talab Saeen De Naam Di
Attan Main Kiun Aai Saan
Babal Gandhin Paaian
Bajhun Sajjan Mainu Hor Nahin Sujhda
Balpan Khed Lai Kuriye Ni
Bande Aap Nu Pachhan
Burian Kol Na Bahu Ve
Chaare Palu Cholni
Chandin Hajar Aalam
Chare Palle Chunri
Charkha Mera Rangalra Rang Lal
Choohri Haan Darbar Di
Dadha Beparwah
Dard Vichhore Da Haal
Dekh Na Mainde Avgun Dahoon
Dil Dardan Kiti Puri
Din Char Chaugan Main Khel Khari
Dinhu Latha Hi Harat Na Ger Ni
Din Lathra Harat Na Ger Muiye
Dunian Jeevan Char Dihare
Dunian Talab Matlab Di Wo
Dunian Ton Mar Javna Wat Na Aavna
Gahak Vainda Hi Kujh Vat Lai
Gal Vo Keeti Saade Khial Pai
Ghari Ik De Mijman Musafir
Ghar Sohan Sahian Etrian
Gholi Vanjan Saeen Taithon
Ghum Charakhria Ghum
Goilra Din Char
Hassan Khedan Bhae Asaade
Haun Matin Dendi Haan Baal Iane Nu
Hun Tan Desan Tera Tana
Hussainu Kis Baage Di Mooli
Ik Araz Nimanian Di
Ik Din Tainu Supna Bhi Hosan
Ik Din Tainu Supna Theesan
Ik Dui Tin Char
Ishq Faqiran Da Kayam Dayam
Ithe Rehna Nahin
Ivain Gayi Vihaye
Ivain Gujri Raat
Iven Gujri Galin Kardian
Jaag Na Ladhia Sun Jindu
Jaan Jeevain Taan Darda Rahu Vo
Jag Main Jeevan Thohra
Jahan Dekho Tahan Kapat Hai
Jeti Jeti Dunian Ram Ji
Jhume Jhum Khel Lai
Jindu Maindarie Tera Nalian Da Wakhat Vihana
Jinhan Khari Na Keeti Meri Dolri
Jis Nagri Thakur Jas Nahin
Jit Val Mainda Mitar Piara
Joban Gia Taan Ghalia
Kaai Baat Chalan Di Tu Kar Voe
Kadi Samajh Mian Mar Jana Hi
Kadi Samajh Nidana
Kai Bagai Di Mooli
Kaun Kise Naal Russe
Kehre Deson Aaion Ni Kuriye
Kia Karsi Baab Nimani De
Kia Kito Ethai Aaye Kai
Kit Gun Lagengi Sahu Nu Piari
Kiun Gumaan Jindu Ni
Koi Dam Jeenvandian Rushnai
Koi Dam Maan Lai Rang Ralian
Koi Din Maan Lai Musafir Chale Ni
Kure Jandie Ni Tera Joban Kura
Latkadi Latkadi Ni Maaye
Likhi Lauh Kalam Di Kadar
Maen Ni Main Bhai Diwani
Maen Ni Main Kainu Aakhan
Mahi Mahi Kookdi
Main Bhi Jhok Ranjhan Di Jana
Mainde Sajna Ve Maule Naal Bani
Maindi Dil Ranjhan Ravan Mange
Maindi Dil Tainde Naal Lagi
Mainhdi Jaan Jo Range So Range
Mainu Ambar Jo Aakhdi Kat Ni
Man Atkia Beparvah Naal
Mandi Haan Ki Changi Haan
Man Varne Tau Par Janvda
Matin Deni Haan Baal Iaane Nu
Mehbooban Faqiran Da Saeen Nigehvan
Mere Sahiba Main Teri Ho Mukian
Mian Gal Suni Na Jandi Sachi
Mitran Di Mijmani Karan
Mitran Di Mijmani Khatar
Mushkil Ghaat Faqiri Da Vo
Naal Sajan De Rahiye
Ni Aseen Aao Khidahan Luddi
Ni Ger Girandiye
Ni Maae Sanu Khedan De
Ni Maaye Mainu Kherian Di Gal Na Aakh
Nimanian Di Rabba Rabba Hoi
Ni Saiyo Aseen Naina De Aakhe Lage
Ni Saiyo Mainu Dhol Mile Tan Japai
Ni Tainu Rabb Na Bhulli
Othe Hor Na Kae Kabool Mian
Pandhia Vo Gandh Sunjri
Pavenga Didar Sahib Da
Piare Bin Raatin Hoian Vaddian
Piare Lal Kia Bharvasa Dam Da
Pothi Khol Dikha Bhai Bahmana
Pur Takseer Bhari Main Aai
Raatin Saven Dihen Phirdi Toon Watte
Rabba Mere Augun Chit Na Dharin
Rabba Mere Gode De Heth Pirotara
Rabba Mere Haal Da Mehram Tu
Rabba Ve Main Nali Chhipaai
Rahiye Vo Naal Sajjan De
Ronda Mool Na Saunda Hi
Saajan Ruthra Janda Ve
Saajan Tumre Rosre
Saalu Sehaj Handhae Lai Ni
Sabh Sakhian Gunvantian
Sabh Val Chhal Chhad Ke Tu Iko Val Hoe
Sadhan Di Main Goli Hosan
Sadke Main Vanjan Unhan Rahan Ton
Saeen Beparvah Maindi Laj Tau Par Aai
Saeen Jinhandare Wal Tinhan Nu Gham Kainda
Saeen Saeen Karendian
Saeen Ton Main Varian Wo
Saeeo Mera Mahi Tan Aan Milavo
Sajan Bin Raatin Hoian Vaddian
Sajan De Gal Banh Asadi
Sajjan De Hath Banh Asadi
Sajjna Aseen Morion Langh Paiaase
Sajna Bolan Di Jae Nahin
Samajh Nidanarie Tera Vainda Wakhat Vihanda
Sara Jag Janda
Sun To Ni Kaal Marenda Ee
Surat Ka Tana Nirat Ka Bana
Taarin Saeen Rabba
Tere Sahu Ravan Di Vera
Thohri Reh Gaiyo Raatri
Tinhan Gham Keha Saeen Jinhan De Wal
Toon Aaho Katt Vallali
Tujhai Gor Bulavai Ghar Aao Re
Tuk Boojh Man Mein Kaun Hai
Tuk Boojh Samajh Dil Kaun Hai
Tusin Bai Na Bhullo
Tusin Mat Koi Karo Guman
Tusin Ral Mil Dehu Mumarkhan
Vaaho Bandi Hai Gal
Vaare Vaare Jani Haan Gholian
Vari Vo Dekh Nimanian Da Haal
Vo Gumanian Dam Ghaneemat Jaan
Vo Ki Aakar Aakar Chalna
Vo Yaar Jinhan Nu Ishq Tinhan Kattan Keha
Wat Na Aavna Bholri Mao
Wat Na Dunian Aavan
Wela Simran Da Ni Uthi Ram Dhiaae
Ya Dilbar Ya Sir Kar Piara



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